the image cake

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The Hara Museum of Contemporary Art is a peaceful place to spend an afternoon. They have a private lawn (rare in Tokyo) and a delicious cafe that overlooks it. The cafe itself is famous for its “image cakes,” confections which hint at the artwork on show. This fondant au chocolat really captures the gist of William Eggleston’s photo of a Parisian leg, no?

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Here’s the view from the cafe:

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supersize me

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It seems as if something strange is happening in Yokohama again — a place has been set up where you eat and drink off giant-proportioned plates and glasses. More photos here.

Looks grand doesn’t it? It’s a conceptual art piece by French person Lilian Bourgeat at Zo-no-hana Terrace until January 11. The Japan version of his work looks rather less idyllic, though, to judge by the plastic cups in this photo:

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sort of cuckoo

saruyama_clockIt’s odd how these things happen: A couple of days ago I saw these very beautiful cuckoo clocks on a wall ina department store in Nihombashi and took a snap. It’s been a few years since I’ve seen an a cuckoo clock and have probably never taken a photo of one. Yesterday a friend of mine here sent me this photo of a cuckoo clock he ‘s put together for Designtide Tokyo 2009 at Isetan department store.

Actually it’s not exactly a cuckoo clock, it’s a “pidgeon clock” (hato-dokei、鳩時計), maybe meant to keep time with Japan’s new prime minister, Yukio Hatoyama. Click around the Designtide site and you’ll find 50 more one-of-a-kind pidgeon clocks, designed by various Tokyo creator types.

Or you can see the clocks in real-time (no pun intended :p) on the fifth floor of Isetan in Shinjuku, from today until Nov. 10. I wonder what sort of department store biomass they’re made from.

haneda airport 空気の港

haneda_human_balloon01-320There’s talk of making Haneda Airport truly international and into an Asian transfer hub to boot. One day it might actually happen. Right now though it’s a fun place to visit, thanks to Digital Public Art in Haneda Airport 空気の港. Conspirator Jonathan Pui (in the photo, the one in the hat) and I went there to enjoy hambugers at the West Park Cafe and play with these humanoid balloons. Just as interesting were a pair of tall wind funnels, looking like giant white vases for a long-stemmed rose, that blew out white leaves printed with eyes from their tops.

All together there are about 18 various installations, distributed around both Terminal 1 and Terminal 2, and they’ll be there until this Nov. 3. The art is really worth going out there–and the hamburgers too.

an old building in the Ginza

okuno04-320There’s a special sort of groove to Tokyo’s Ginza area. It’s luxury brand shops in posh new buildings and the sort of people who spend hours in them. You get the idea. It’s not the sort of place you’d expect to run into a mini-bohemia.

But just step a couple of streets back from the main Chuo Dori, and you’ll find a corner that seems to be the antithesis to everything Ginza A bit shabby, a bit dark and shaking from the construction of a designer furniture outlet next door (word has it that it’s an IDC Otsuka–yuck) the venerable Okuno Building is Ginza’s inner Montmartre, packed into a seven-story brick building.

With its distinctly art-deco flourishes–think round windows–the structure is a magnet for the art crowd. Chockablock with architecture offices, design firms and antique shops, it’s also home to least 20 art galleries. Here’s a blog with lots of photos of the place.

“There are certain people who appreciate the building for what it is,” explains owner and manager Tsuguo Okuno (that’s him in the photo at top, with two clocks inhis office). His grandfather put up the building in 1932. “There’s a long list of people waiting to move in,” he says, to any one of its 69 units.

Although it is not registered as a landmark, the Okuno Building is a rare, fairly unretouched reminder of the modern Tokyo of the prewar years.

Originally known as the Ginza Apartment, the building was a sister design to the Dojunkai Apartment building in Harajuku that was, despite much protest, destroyed  a couple of years back to make way for the Omotesando Hills shopping mall designed by Tadao Ando (yuck again).

The Ginza Apartment building was more upscale than its twin: It offered both heating and an elevator (unusual at that time for a residence) and sheltered the glitterati of the time, among them a Kabuki actor, according to Okuno.

After World War II the apartments were converted to offices. Almost 20 years ago, the first gallery, Kobo, moved in. The last original tenant passed away this Spring.

“This place is unique. It’s right in the middle of the Ginza but represents a totally different mindset,” says Akio Moriyama, operator of the Gallery Platform Studio in room 505. “Ginza is busy making money, but here there’s a sense of things moving more slowly.”okuno03-320

The number of galleries in the building keeps changing, he says. They all operate at their own pace and he’s never once seen them all open at the same time.

Moriyama says the management is likewise loose: In his case, he took over a former single-bedroom unit 10 years ago, only to spend half a year renovating it while holding down a day job as an architect and museum exhibition designer.

“I never got a bill (for the rent) all during that time,” he says, “which is amazing for the Ginza. Here personal relationships are more important. There’s a sense that people in this building are working together to make something.”

That sentiment is echoed by Ken Sawada, whose illustrations of mechanical fish were hanging in Gallery Seika (which also functions as an order-made hat shop on Thursdays) in room 312.

“It’s inspiring to be here,” he says, because of the building’s constant flow of creators and visitors. “It puts me in touch with artists–especially younger ones–that I probably wouldn’t meet in a stand-alone venue.”

Oddly, owner Okuno claims no interest in art: He almost never steps into the galleries. He does, however, know a thing or two about what sells in the Ginza area.

“This is a prime location, and I could tear this place down and put up a new office or commercial building,” he says.

“But look at what’s happening now. There are lots of new buildings in the area that can’t attract new tenants because there’s nothing that sets them apart,” he adds.

“Here there’s always people waiting to move in because there aren’t many buildings like this one left.”

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Okuno Building is located at Ginza 1-9-8 (two blocks behind the Matsuya Ginza department store away on a side street parallel to Chuo Dori). If you go also visit the Henri Charpentier cafe in the nearby Yonei Building (it’s a landmark) for the orange-flavored hot chocolate (yum!).

somewhere in china

kymak01kymak02These two photos by kymak are among the best I’ve seen on flickr. They show the cookware and bowls of people who live and work at an immense factory in China.

They seem to me a humanized response to the photos of Edward Burtynsky, who I interviewed here a while back. In fact they point out, in a way I wasn’t aware until now, how Burtynsky’s photos are solely a western viewpoint on China’s industrial growth.